The outrage sparked by the clumsy handling of a Nazi-looted art trove in Munich, which was revealed this month, shows the urgent need for transparency in the art world, from museums to auction houses to private collections.
For years this rarefied
world has functioned like a private club. Many institutions, especially
in Europe, have kept their World War II-era provenance files discreetly
locked away, or have even quietly accepted questionable art from moneyed
donors. Dealers too have looked the other way — until a painting stolen
during the Holocaust is suddenly, fortuitously spotted, and an auction
block turns into a crime scene.
Europe's dirty little art secret
Europe's dirty little art secret
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